Thrale history

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In the eighth century there were seven kingdoms in England. Sandridge was in Mercia, the kingdom which occupied that area now known to us as the Midlands. The Church of England was then, as now, divided into the two provinces of Canterbury and York, but in the year 787 King Offa secured the elevation of the Bishop of Lichfield to be another archbishop over the seven dioceses in the kingdoms of Mercia and East Anglia. This arrangement lasted only fourteen years, during which time Offa died owning the parish of Sandridge. Egfrid his son gave it¹ in 796 to the church of St Alban by the name of Sandruage, "so denominated by the Saxons from the soil of the place, and from the service by which the inhabitants held their lands, for the soil is sandy, and age signifies the service of bond servants.²" Such is the earliest known mention of Sandridge.

Evidence of a Saxon church at Sandridge is supposedly given by the flint rubble walls with quoins of Roman tiles, visible in the exterior of the east end of the nave, and also by the chancel arch of Roman bricks. The latter probably came from some adjacent Roman villa and not from Verulam, for some of them are of the thick variety which, though common at Colchester and Uriconium, are rare at Verulam³.

Herbert, Bishop of Norwich, consecrated the first Norman church of Sandridge⁴, dedicating it to the glory of God and in honour of St. Leonard. Leonard was to become the patron saint of over one hundred and eighty English churches. Son of an army officer and godson of Clovis, king of the Franks, he was the patron of prisoners, being diligent in obtaining releases for many poor wretches. Thus he is often depicted holding a chain. This church consisted of a nave without aisles, and solid walls where the arcading now stands. These walls were pierced by narrow Norman windows splayed out from the outside to the inside. The eastern wall was pierced by a round arch of Roman bricks supported by pillars of the same material. Through the arch was a short chancel, probably ending in an apse which contained the altar. The western wall was perhaps pierced by another round arch, opening into a low Norman tower. The only remains of that fabric today are the north and south angles at the east end of the aisleless nave, with the abutments of the later arcades, the thick walls at the west end of the same nave, and the chancel arch⁵.

About the year 1160 the nave was widened by the addition of the aisles; the side walls of the nave were taken down for almost their whole length, and the two arcades of octagonal pillars, with their bold and beautiful capitals, and the six round arches of Totternhoe stone, were erected in their place. A clerestory was raised over this arcading and the north and south aisles were added in flint work, with Norman windows; the north and south doorways of the nave were transferred to the aisles. The cylindrical font also belongs to this period. It is surrounded with an arcade of intersecting arches, rising from a plain plinth. The arches, eighteen in number, do not, as is usually the case, lie over each other in crossing, but are quite flat. Above the arches is a hatchet or saw tooth ornament. The capitals and bases of this miniature arcading make it not unlike the main arcading of the nave. To protect the soft limestone the inside of the font is lined with lead. The present lining was fixed in 1945, when the old one was burnt out.

Late in the twelfth century a tower was built, or rebuilt, on to the west end of the nave, with a lofty Early English arch opening into it. The bases of the nave piers already foreshadowed the Early English style of water-holding moulding. There is no evidence of further alterations to the church for about two hundred years.

John de la Moote, the thirty-first abbot of St Albans, elected in 1396, did much for Sandridge and its church. He "made at Sandrugge a new gateway and a suitable stable for heavy and light horses. He also built a mill at Sandrugge⁶".

And "he rebuilt the chancel of Sandrugge from the foundations”.⁷ The chancel was not quite in line with the nave, but bent slightly to the north. The north door of the chancel also belongs to this period. It used to lead into the churchyard, but now leads into a vestry. There were paintings on the walls, traces of which could still be seen in 1900⁸. The roof timbers rest on six buckle corbels carved in stone.

The famous Sandridge stone screen has an original tie beam of the chancel roof stretching

Footnotes

1. Gesta Abbatum Monasterii Sancti Albani 793 - 1411. 1. 507. Compiled by Thomas Walshingham. Three volumes..↩︎
2. R. Newcourt, Repertorium Ecclesiasticum, pub.1708;↩︎
3. Sandridge Church by H. C. Andrews, F.S.A., 1932. This paper is perhaps the most learned of all, and the most readable, but it has never been published.↩︎
4. Matthew Paris 12, Vitae Vigenti Trium Sancti Albani Abbatum, p.79.↩︎
5. Sandridge Church by H. C. Andrews, F.S.A., 1932.↩︎
6. Gesta Abbatum Monasterii Sancti Albani 793 - 1411. 3. 442. Compiled by Thomas Walshingham. Three volumes.↩︎
7. Gesta Abbatum Monasterii Sancti Albani 793 - 1411. 3. 446. Compiled by Thomas Walshingham. Three volumes.↩︎
8. The St Albans and Hertfordshire Architectural and Archaeological Society, in their TRANSACTIONS 1904 p41.↩︎